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Grammy Awards®
For Your Consideration

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More Amor: A Tribute to Wes Montgomery

Chicago Jazz Orchestra featuring Bobby Broom

Best Jazz Performance - track
Four on Six

Best Large Jazz Ensemble Album
More Amor: A Tribute to Wes Montgomery

Best Engineered Album, Non-Classical
More Amor: A Tribute to Wes Montgomery

Best Arrangement, Instrumental or A Capella
What The World Needs Now is Love
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"This is an album that does the rare thing: improving what it intends to tribute. Kudos to Bobby Broom and the CJO for making that happen."
                                        Chicago Jazz Magazine
"Broom's take is a master class in economy and taste, and simply beautiful. Whether a Mancini or Bacharach tune that Wes favored or his original 'Road Song,' Broom and CJO do him proud."
                 Dan Forte, Vintage Guitar Magazine

During his last years, Montgomery and his commercially savvy producer, Creed Taylor, employed a number of legendary arrangers from varied backgrounds to propel the guitarist to larger audiences. The legendary orchestrators he hired, including Oliver Nelson, Don Sebesky, and Johnny Pate, among others, had as much to do with his increased accessibility as the songs he chose to play.


More Amor, recorded by the Chicago Jazz Orchestra featuring Bobby Broom, is as much a tribute to those gentlemen as it is to Montgomery and that golden musical epoch in his career. With those arrangers' historic musical footprints as a guide, what emerges here is the voice of a band, its soloists, and three highly original arrangers: Alex Brown, Tom Garling, and Charley Harrison.


While he is recognized as a Chicago institution, Broom is actually a native New Yorker with an incredibly rich jazz history as a teenager. His adopted hometown has plenty of jazz guitarists to choose from, but CJO co-founder and Artistic Director Jeff Lindberg could not have made a more appropriate choice. The arc of Broom's career, his singular stylistic development, and his consistent and purposeful effort to keep his music accessible aligns well with Montgomery's ethos.

"On this recording, of course you hear the octave and chordal thing Wes is famous for, but overall stylistically it is my voice coming through, especially when I'm soloing." Broom said.

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It is important to note that this idea originated in 2004 as a concert at the Harold Washington Library in Chicago. That it grew into a successfully realized album project is the result of a concerted effort among a stylistic musician, an innovative bandleader, a dedicated artistic organization, and the community that supports them.


The ten tracks here also tell a deeper story than the glorification of a musician and his time. This music represents a chapter in the history of Jazz when a fracture of the Young Lions' period of the 1980's begot the modern repertory orchestra movement. That movement was fueled by the founding of the Lincoln Center Jazz Orchestra in 1988, now directed by Wynton Marsalis and renamed the Jazz at Lincoln Center Orchestra.


Jeff Lindberg, conductor and co-founder of the CJO, has always been a visionary. He and his late musical partner, trumpeter Steve Jensen, created the Jazz Members Big Band in 1978. The following year, the JMBB became the very first act to play at the very first Chicago Jazz Festival. After a number of albums on the Sea Breeze Records label in the 1980s and after Jensen's death in 1997, the band was renamed and Lindberg became became Artistic Director of the not-for-profit Chicago Jazz Orchestra Association.

Supported by a staff and a board of directors, Lindberg was able to concentrate on the music, and the CJO thrived. Over the decades, national and local jazz orchestras have come and gone, from the high-profile but now defunct Carnegie Hall Jazz Band to the recently formed eponymous big bands in Las Vegas and Saskatoon. Over the years, the CJO has grown and expanded its library with charts and renowned guests ranging from Quincy Jones and Stevie Wonder to local Chicago heroes Kurt Elling and Oscar Brown Jr.


Lindberg, together with his staff and board of directors, has kept the CJO thriving and relevant with regular performances and album releases. Recent recordings include collaborations with arrangers Charley Harrison and Tom Garling, and vocalist Cyrille Aimée, and a live recording at the Evanston venue, SPACE.


Already lionized as the oldest continuously operating jazz orchestra in the Windy City's storied musical history, the sonically pleasing More Amor should solidity the Chicago Jazz Orchestra's standing as one of the most important civic jazz organizations in the United States.

Mark Ruffin, 2025

Program Director, Real Jazz/Sirius XM

Author: Bebop Fairy Tales: An Historical Fiction Trilogy on Jazz, Intolerance and Baseball

Bobby Broom began studying the guitar at age 12, and is now considered one of today’s jazz guitar greats. Broom is a tenured Associate Professor of Jazz Guitar and Jazz Studies at Northern Illinois University. The overall arc of his career, his singular stylistic development, and his purposeful effort to keep his music accessible align with Wes Montgomery’s ethos.

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Jeff Lindberg represents a new breed of American conductors, equally adept with the literatures of the American jazz orchestra and the European symphony orchestra. Lindberg's vision and leadership, coupled with his skills as a transcriptionist, place the Chicago Jazz Orchestra at the forefront of American jazz for the 21st century.

Additional Soloists

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Pharez Whitted

trumpet

 

 

Road Song

Scott Burns

tenor saxophone

What The World Needs Now Is Love

Baubles, Bangles, And Beads

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Rajiv Halim

alto saxophone

West Coast Blues

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John Wojciechowski

alto saxophone

More, More, Amor

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Dan Trudell

piano

Fried Pies

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Victor Garcia

trumpet

Boss City

Personnel

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Woodwinds
John Wojciechowski, lead alto saxophone, soprano saxophone & flute
Bill Overton, alto saxophone, tenor saxophone, flute & alto flute
Rajiv Halim, alto saxophone, flute & alto flute

Scott Burns, tenor saxophone, flute, alto flute & clarinet
Eric Schneider, tenor saxophone & clarinet
Ted Hogarth, baritone saxophone & bass clarinet
Kimberly Risinger, flute & alto flute
Elizandro Montoya Garcia, clarinet

Trumpets
Roger Ingram, lead
Victor Garcia
Doug Scharf
Pharez Whitted
Art Davis


Trombones
Steve Duncan, lead
Steve Wiest
Luke Malewicz
Raphael Crawford
Thomas Matta, bass


Piano
Dan Trudell


Bass
Dennis Carroll


Drums
Kobie Watkins


Guitar
Luciano Antonio


Percussion
Edward Harrison
Jean Leroy

Violin I

Katherine Hughes, concertmaster
Thomas Yang
Steven Winkler
Natalie Frakes
Karla Galva
Eden Crumbly


Violin II
Lisa Fako
Carol Kalvonjian
Sheila Hanford
Melanie Sarapa
Emily Randle


Violas
Jeff Yang
Ray Ostwald
Mary Odin


Cellos
Jill Kaeding
Dorothy Deen
Ronald Chambers

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